Lecture 8: The Future of Art: Technology and Ethics

Arts & Humanities - 12 slides

In Lecture 8 of the History of Art course, students examine current and emerging trends in the art world, focusing on digital art, NFTs, and social media's transformative role. The lecture also delves into ethical considerations surrounding digital art creation and distribution, as well as the impac

Topics Covered

  • Introduction to Emerging Art Trends: Digital Age
  • Historical Foundations of Digital Art
  • Introduction to NFTs as Art Platforms
  • How NFTs Are Reshaping Art Ownership
  • Social Media’s Role as a New Art Medium
  • Interactive and Immersive Digital Art Installations
  • Ethical Considerations in Digital Art Creation and Distribution
  • Technology’s Impact on Audience Engagement in Art
  • Sustainability in Digital and Emerging Art
  • Global Democratization of Art Through Digital Media
  • AI as a Tool and Collaborator in Contemporary Art
  • Conclusion and Future Directions in Art

References

  • Manovich, L. (2001) The Language of New Media. Cambridge: MIT Press.
  • Molnar, V. (1976) ‘Regarding Aesthetic Use of Computers,’ Leonardo.
  • Benjamin, W. (1936) The Work of Art in the Age of Mechanical Reproduction.
  • Tapscott, D. and Tapscott, A. (2016) Blockchain Revolution. London: Penguin.
  • Kugler, L. (2021) ‘Non-Fungible Tokens and the Future of Art Collecting,’ Communications of the ACM, 64(6), pp. 19–20.
  • Manovich, L. (2017) Instagram and Contemporary Image. New York: Almalight Publishing.
  • Paul, C. (2015) Digital Art. 3rd edn. New York: Thames & Hudson.
  • McLuhan, M. (1964) Understanding Media: The Extensions of Man. New York: McGraw-Hill.
  • Kugler, L. (2021) 'Non-Fungible Tokens and the Environment.' Communications of the ACM, 64(7), pp. 19-20.
  • Shirkey, C. (2008) Here Comes Everybody: The Power of Organizing without Organizations. New York: Penguin.
  • Elgammal, A. et al. (2017). 'CAN: Creative Adversarial Networks.' arXiv preprint.
  • Manovich, L. (2001) The Language of New Media. Cambridge, MA: MIT Press.
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