Lecture 7: Global Perspectives in Contemporary Art

Arts & Humanities - 10 slides

This lecture explores the impact of globalization on contemporary art practices in Africa, Asia, and Latin America, emphasizing the challenge to traditional Western art narratives. It highlights key artists and movements that reflect cross-cultural interactions and the influence of colonial and post

Topics Covered

  • Introduction: Globalization and Art Beyond the Western Canon
  • Colonialism’s Role in Shaping Regional Art Narratives
  • Defining Contemporary Art Movements in Africa
  • Cultural Hybridity in Asian Contemporary Art
  • Activism and Identity in Latin American Contemporary Art
  • Digital Connectivity and the African Diaspora
  • Reclaiming Narratives: Decolonization in Contemporary Art
  • Transnational Interactions: Asian Artists in the Global Art Market
  • Latin American Urban Art Forms: From Murals to Street Art
  • Intersectionality in Global Contemporary Art

References

  • Bhabha, H.K. (1994). The Location of Culture. London: Routledge.
  • Chanda, N. (2007). Bound Together: How Traders, Preachers, Adventurers, and Warriors Shaped Globalization. New Haven: Yale University Press.
  • Said, E.W. (1978). Orientalism. New York: Pantheon Books.
  • Okeke-Agulu, C. (2015). Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria. Durham: Duke University Press.
  • Eshun, K. (2003). Further Considerations on Afrofuturism. CR: The New Centennial Review, 3(2), pp. 287-302.
  • Murakami, T. (2000). 'Superflat.' Tokyo: Kaikai Kiki.
  • Mosquera, G. (2001). 'Beyond the Fantastic: Contemporary Art Criticism from Latin America.' Cambridge: MIT Press.
  • Ramírez, M.C. and Yúdice, G. (1996). 'Critical Art and Latin America: The Transnational Politics.'
  • Eshun, K. (1998). 'More Brilliant than the Sun: Adventures in Sonic Fiction.'
  • Okeke-Agulu, C. (2015). 'Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria.'
  • Fanon, F. (1986) 'Black Skin, White Masks.' New York: Grove Press.
  • Raunig, G., & Ray, G. (2009) 'Art and Contemporary Critical Practice: Reinventing Institutional Critique.' London: MayFlyBooks.
  • Murakami, T. (2000) 'Superflat.' Tokyo: Kaikaikiki Co., Ltd.
  • Said, E. (1978) 'Orientalism.' New York: Pantheon Books.
  • Cockcroft, E. S., Weber, J. P., & Cockcroft, J. D. (1993) 'Towards a People's Art: The Contemporary Mural Movement.' Albuquerque: University of New Mexico Press.
  • Lopez, D. M. (2017) 'The Walls of Resistance: Street Art and Social Struggle in Latin America.' New York: Routledge.
  • Crenshaw, K. (1989) Demarginalizing the Intersection of Race and Sex. Clifton: Law Review Quarterly.
  • Walker, K. Sugar Baby installation. Tate Modern Exhibition Catalogue (202-9)],
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