Lecture 7: Global Perspectives in Contemporary Art

Arts & Humanities - Lecture 7: Global Perspectives in Contemporary Art - 10 slides

Explore Lecture 7: Global Perspectives in Contemporary Art, covering This lecture explores the impact of globalization on contemporary art practices in Africa, Asia, and Latin America,.

Topics Covered

  • Introduction: Globalization and Art Beyond the Western Canon
  • Colonialism’s Role in Shaping Regional Art Narratives
  • Defining Contemporary Art Movements in Africa
  • Cultural Hybridity in Asian Contemporary Art
  • Activism and Identity in Latin American Contemporary Art
  • Digital Connectivity and the African Diaspora
  • Reclaiming Narratives: Decolonization in Contemporary Art
  • Transnational Interactions: Asian Artists in the Global Art Market
  • Latin American Urban Art Forms: From Murals to Street Art
  • Intersectionality in Global Contemporary Art

References

  • Bhabha, H.K. (1994). The Location of Culture. London: Routledge.
  • Chanda, N. (2007). Bound Together: How Traders, Preachers, Adventurers, and Warriors Shaped Globalization. New Haven: Yale University Press.
  • Said, E.W. (1978). Orientalism. New York: Pantheon Books.
  • Okeke-Agulu, C. (2015). Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria. Durham: Duke University Press.
  • Eshun, K. (2003). Further Considerations on Afrofuturism. CR: The New Centennial Review, 3(2), pp. 287-302.
  • Murakami, T. (2000). 'Superflat.' Tokyo: Kaikai Kiki.
  • Mosquera, G. (2001). 'Beyond the Fantastic: Contemporary Art Criticism from Latin America.' Cambridge: MIT Press.
  • Ramírez, M.C. and Yúdice, G. (1996). 'Critical Art and Latin America: The Transnational Politics.'
  • Eshun, K. (1998). 'More Brilliant than the Sun: Adventures in Sonic Fiction.'
  • Okeke-Agulu, C. (2015). 'Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria.'
  • Fanon, F. (1986) 'Black Skin, White Masks.' New York: Grove Press.
  • Raunig, G., & Ray, G. (2009) 'Art and Contemporary Critical Practice: Reinventing Institutional Critique.' London: MayFlyBooks.
  • Murakami, T. (2000) 'Superflat.' Tokyo: Kaikaikiki Co., Ltd.
  • Said, E. (1978) 'Orientalism.' New York: Pantheon Books.
  • Cockcroft, E. S., Weber, J. P., & Cockcroft, J. D. (1993) 'Towards a People's Art: The Contemporary Mural Movement.' Albuquerque: University of New Mexico Press.
  • Lopez, D. M. (2017) 'The Walls of Resistance: Street Art and Social Struggle in Latin America.' New York: Routledge.
  • Crenshaw, K. (1989) Demarginalizing the Intersection of Race and Sex. Clifton: Law Review Quarterly.
  • Walker, K. Sugar Baby installation. Tate Modern Exhibition Catalogue (202-9)],
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