Lecture 5: 19th Century Art Movements: Realism and Impressionism

Arts & Humanities - Lecture 5: 19th Century Art Movements: Realism and Impressionism - 16 slides

Explore Lecture 5: 19th Century Art Movements: Realism and Impressionism, covering This lecture explores the rise of Realism and Impressionism in the 19th century, highlighting the works of artists like.

Topics Covered

  • Introduction to Realism and Impressionism
  • Defining Realism: Challenges to Romanticism
  • Impressionism: Light, Color, and Modernity
  • Society and the Changing Context of Art
  • Gustave Courbet and the Realist Manifesto
  • The Technical Innovations of Impressionist Painting
  • Claude Monet: The Influence of Light and Perception
  • Challenges to Established Artistic Conventions
  • Influence of Science and Technology on Realism and Impressionism
  • Why Everyday Life Matters in Art
  • The Role of Critics and Public Controversy
  • Evolution Beyond Impressionism
  • Legacy of Everyday Life in Art
  • Critics and Collectors: The Role of Patrons
  • Practical Techniques Derived from Realism & Impressionism
  • Conclusion: Why Realism and Impressionism Matter

References

  • Nochlin, L. (1971) Realism. London: Penguin.
  • Rubin, J. (1999) Impressionism and the Modern Landscape. Los Angeles: Getty Research Institute.
  • Clark, T.J. (1973) Image of the People: Gustave Courbet and the 1848 Revolution. London: Thames & Hudson.
  • Chevreul, M.E. (1839) The Principles of Harmony and Contrast of Colors. Paris: Baillard.
  • Boime, A. (1987) The Art of the Industrial Revolution. New York: Garland.
  • Callen, A. (2000) The Spectacular Body: Science, Technique, and the Modern Artist. New Haven: Yale University Press.
  • Arnason, H.H., and Mansfield, E.C. (2013). History of Modern Art. 7th edn. Pearson Education.
  • Nochlin, L. (1971). Realism. Penguin Books.
  • House, J. (2004). Monet: Nature into Art. New Haven: Yale Press.
  • Rosenblum, R. (1989). Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko. Thames & Hudson.
  • Chevreul, M.-E. (1839). The Law of Simultaneous Contrast of Colours.
  • Tinterow, G. et al. (1994). Origins of Impressionism. The Metropolitan Museum of Art.
  • Clarke, M. (2010). The Concise Oxford Dictionary of Art Terms. Oxford University Press.
  • Huyghe, R. (1968). Impressionism. Lausanne: Skira/Edita.
  • Chevreul, M.-E. (1839) The Principles of Harmony and Contrast of Colors. London: Longman.
  • Clark, T.J. (1999) The Painting of Modern Life. Princeton: Princeton University Press.
  • Nochlin, L. (1991) Realism. London: Penguin Books.
  • Herbert, R. (1988) Impressionism: Art, Leisure, and Parisian Society. New Haven: Yale University Press.
  • Green, C. (1987) The Impressionist and the Avant-Garde. New Haven: Yale University Press.
  • Callen, A. (2000) The Art of Impressionism. London: Yale.
  • Clark, T.J. (1984) The Painting of Modern Life: Paris in the Art of Manet and His Followers. Princeton: Princeton University Press.
  • Rewald, J. (1978) The History of Impressionism. New York: Museum of Modern Art.
  • Nochlin, L. (1971) Realism. London: Penguin Books.
  • Benjamin, W. (1936) The Work of Art in the Age of Mechanical Reproduction. Cambridge: Harvard University Press.
  • White, H. (1999) Salon to Biennial - Exhibitions That Made Art History. London: Thames & Hudson.
  • Gombrich, E.H. (1995) The Story of Art. 16th edn. London: Phaidon Press.
  • Cézanne, P. (1991) Charles Harrison on Cézanne’s Spatial Technique. Burlington Magazine, vol. 130.
  • Kleiner, F.S. (2019) Gardner’s Art through the Ages. 16th edn. Boston: Cengage.
  • Harrison, C. and Wood, P. (2003) Art in Theory, 1815-1900. Oxford: Blackwell Publishing.
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