This lecture explores the transformative periods of the Renaissance and Baroque in art history, highlighting the revival of classical ideals and emotional intensity. Key figures such as Leonardo da Vinci and Caravaggio are examined alongside the innovations in technique and social contexts that shap
Topics Covered
Introduction to the Renaissance and Baroque Art
Characteristics of Renaissance Art
Key Renaissance Figures: Leonardo da Vinci
Transition into the Baroque Period
Innovations in Renaissance Art: Linear Perspective
Baroque Art: An Overview
Caravaggio and the Emotional Intensity of Baroque Painting
Symbolism and Psychology in Baroque Sculpture
The Role of Iconography in Baroque Art
Socio-Historical Context of the Renaissance and Baroque Eras
Dynamics of Light, Shadow, and Space in Baroque Art
References
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Gombrich, E. H. (2007) The Story of Art. 16th edn. London: Phaidon Press.
Vasari, G. (1568) Lives of the Most Excellent Painters, Sculptors, and Architects. Translation by Bondanella, J., 1991. Oxford: Oxford World's Classics.
Edgerton, S. Y. (1975) The Renaissance Rediscovery of Linear Perspective. New York: Basic Books.
Kemp, M. (2006) Leonardo da Vinci: The Marvellous Works of Nature and Man. Cambridge: Cambridge University Press.
Clark, K. (1939) Leonardo da Vinci. New York: Penguin Books.
Bazin, G. (1968) Baroque and Rococo. London: Thames and Hudson.
Wittkower, R. (1999) Art and Architecture in Italy 1600-1750. 6th edn. New Haven: Yale University Press.
Harris, B. and Zucker, S. (2015) 'Baroque Art', Smarthistory. Available at: https://smarthistory.org/baroque-art/.
Bailey, G.A. (1999) 'Between Renaissance and Baroque', Art History, 22(1), pp. 35–45.
Langdon, H. (1998) Caravaggio: A Life. London: Chatto & Windus.